Isolation in Horror Film

698 Words3 Pages
The horror genre defies boundaries, invading on what people think are taboo themes. The taboos could be about death, sex, violence, or crime, carrying fourth the current audience of teenagers and adults. As the audience empathizes with the traumatized victims, they feel the fear, and endure experiences unavailable outside the cinema. The central code and convention of the horror genre, the isolation location, in which the victim finds help out of reach, rubs against on the audiences phobic 'pressure point.' According to horror novelist, Stephen King, phobic Pressure points are the fears the audiences share of keynote things, like the dark, spiders, and isolation. Early horror films, such as James Whale's, Frankenstein (1931), are posted in remote, European villages, where the secluded forests, and foreign people, adds to the isolation of the spooky castle on the hill. Traditional horror settings, like this, motivate the viewers phobic 'pressure points' by inducing them into the deranged and horrific reality of the characters. The isolation omits the victims out of reach of the authorities, which the edgy audience would hastily bid if danger threatened themselves. This leaves the watchers feeling feeble and without control. This is a duplicated mechanism the audience has come to presume in the horror genre. The director usually comprises several layers of alienation within a film, where the victims battle to escape the danger, generating unease in the emphasizing audience. Alfred Hitchcock's film, Psycho, added a new dimension to the isolated setting, bringing the location home to American viewers, in the commonplace Bates Motel. The main character, Marion, is isolated from the law by location and furthermore by trust. The movie exhibits a police officer, who is crafted as a threat, he watches Marion from afar, as if targeting her, and in fact Marion was getting
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