Macbeth responds, in brief, as a loyal thane to the Scottish king, but the prospect unnerves him. * The audience could see Macbeth’s ambition leading him to cursed thoughts which has been greatly *enforced and twisted* by the* malicious* witches. *The caution from the first apparition causes Macbeth to start a bloody massacre across England, killing families of people who may threaten his position. After this point in the play, we see *that *Macbeth* has* turn*ed* into a ruthless tyrant* in the hope of avoiding fate*, so desensitized to humanity that even the suicide of his wife *could not arouse grief from him. * All he could muster was* “She should have died hereafter”.
She pushes for Macbeth to do the unthinkable all so that they may become Kind and Queen. She accuses Macbeth of not acting like a man. “When you durst do it, then you were a man”, if he went ahead with killing the King. This was a great force for Macbeth to proceed with the task. When he finally goes
Instead , he murdered the king to take his place. Opting not to wait to see if Banquo would be loyal to him, Macbeth had his companion murdered. His impatience led Macbeth to listen to his wife, the witches , and his darker side. He again informed people what a good man was not. In the end, Macbeth did regain a shred of his previous distinction when he faced his adversaries like a true warrior.
This presents the question “Does Hamlet ever truly go mad?” The leading events would certainly justify madness and his actions and conversations with other characters would indicate a true madman. This is exactly what he wants them to believe. He cunningly uses insanity as a provision in his quest to avenge his father’s death. It is during the conversation with his father’s ghost that Hamlet first admits his contrived madness when he says “How strange or odd some’er I bear myself- As perchance hereafter shall think meet To put an antic disposition on” (1.5; 179-181). He further elaborates exactly how he will convince people of his madness by saying “That you at such times seeing me, never shall, With arms encumbered thus, or this headshake, Or by pronouncing of some doubtful phrase” (1.5; 182-184).
Shakespeare further cultivates Macbeths quickly changing character through soliloquy and dramatic irony. His success in doing so is disclosed as the once ‘noble’ Macbeth goes against all odds to convey his idea of fulfilling the witches’ prophecies: to kill King Duncan. Macbeth also notifies us that to even anticipate slaughtering the sacred King is an act of treachery and betrayal nonetheless he delivers himself as quite motivated and determined to do so. The “horrid image”, “doth unfix” his hair and make his “seated heart knock”; his lust for ultimate power poisons his loyalty and decays at his integrity. As the play moves on, the audience observe the hasty crumbling of his devotion to God and the King.
He is a devoted husband to his ‘dearest partner of greatness’. 7. However, in Act 1 Scene 7, having been persuaded by Lady Macbeth, Macbeth decides to murder the King. At this point his character changes, he is driven to commit further murders by his need to protect himself from the consequences of his actions. He becomes ruthless, tyrannical deceitful and dishonourable.
Hamlet stabs the king and Laertes remarks, “He is justly serv’d” (5.2.294). Accordingly, Hamlet must also receive justice as well for he unwittingly murdered Polonius. Laertes achieves this retribution for both Polonius and Ophelia, whose death was spurred by Polonius’. Nearing the end of their lives, Laertes beseeches Hamlet, “Exchange forgiveness with me, noble Hamlet: Mine and my father’s death come not upon thee, nor thine on me!” to ensure that the two may pass peacefully without lingering dissention. (5.2.295-297) Gertrude’s lustful pitfall is also resolved when she sacrifices herself for her son by taking the poisoned drink.
I think pride, anger and greed for power prompted Lear to make the decision of giving up the kingdom to his malicious, hateful and ungrateful daughters, Regan and Cordelia. After that, Lear banishes the earl of Kent, a faithful courtier who disapproves his punishment for Cordelia. The untimely abdication of his throne, his blindness to Cordelia’s authentic love and Kent’s faithfulness triggers and results in a chain reaction of events that send him through a tragic journey. The cruelty and ingratitude of Goneril and Regan is indubitable; and Lear himself is obsessed by the way that his
Another example of blood portraying honor takes place later in the play during the death scene of Macbeth. Right before Macduff kills Macbeth, he tells the ill-fated title character, “My voice is in my sword, thou bloodier than terms can give thee out.” With this line, the audience knows that Macbeth’s pleas to have his life spared will not be answered by Macduff. In turn, this is a display of courage on Macduff’s part. Where betrayal is concerned, blood also symbolizes acts of murder and treason. One such allusion is mentioned in act 2, scene 1, during Macbeth‘s soliloquy.
However, as soon as Goneril and Regan are declared power, they begin scheming to take all Lear's authority away and leave him with "the infirmity of age"(I,i,296). On the other hand, Gloucester believes Edmund's lies about Edgar wanting to kill their father to claim authority. Gloucester fears of losing power for that he already suspects his children secretly want to destroy him; as a result, he is totally convinced by Edmund, and Edgar, being told that Gloucester is angry at him, flees the kingdom. Ironically, Edmund is the one who has been planing to take over Gloucester's seat.