The Century Quilt Analysis

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Analysis of “The Century Quilt” Written by Marilyn Waniek, “The Century Quilt” describes the importance of heritage in the narrator’s life. Using imagery, tone, and structure, Waniek effectively illustrates the importance of her quilt. The quilt represents not only her family’s heritage but also her future heritage. Waniek’s diction creates a nostalgic tone: “I remembered how I’d planned to inherit that blanket” (Lines 9-10) and “my sister and I were in love with Meema’s Indian blanket” (lines 1-2). Her word choices “remembered” and “were in love,” Waniek emphasizes a sentimental memory. Waniek’s diction allows the reader to relive the memory through the speaker’s perspective. The speaker describes how she remembered "play[ing] in its folds and be chieftains and princesses" (11-12). She uses these lines to demonstrate how the quilt represented her youthful and energetic days with her sister. Through the descriptive use of colors, Waniek creates a vivid picture of the quilt: “Six Van Dyke brown, squares, two white, and one square yellow of Meema’s cheek” (lines 15-17). The colors “brown, white, and yellow brown” not only describes the appearance of the quilt but also have a deeper meaning. The colors describe the color of her ancestor’s skin, not just the actual quilt. These repeating patterns of squares most likely pay homage to the speaker’s mixed heritage, with her family being of both Native American and Caucasian descent. The speaker’s heritage is supported by her visions of her grandmother’s childhood back in Kentucky “among her yellow sisters; their grandfather’s white family” (Lines 25-26). While one could argue that the speaker is simply reciting the life of her grandmother, it can also be said that the speaker is optimistic about her own future, and that she herself would relive her memories whilst under the quilt, such as meeting her unconceived son.

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