Compare The Fractured Shapes And Distorted Perspectives Of Pablo PicassoS Les Demoiselles DAvignon With T. S. EliotS Waste Land.

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The essay looks to compare fractured shapes and distorted perspectives of Pablo Piccasso’s Les Demoiselles d’Avignon with T.S. Eliot’s Waste Land and looks to show how the modernist writing at the time had similarities with the visual arts of the time while also examining the themes in both these works. Also, looking to show how distorted perspectives have relevance in the workings of society. Picasso’s Les Demoiselles d’Avignon is a truly amazing work of art the colour and the shapes used are eye catching to say the least. The contortion of the bodies I find is especially intriguing and also the paintings’ many themes. Comparing this to the work of T.S. Eliot’s Waste Land makes for an interesting task, as there are definitely very strong elements of distortion although it is a rather bleak distortion. Powerful words such as: cruelest, dead, and fear to name a few. However, comparing the themes of Picasso’s Les Demoiselles d’Avignon to that of Eliot’s Waste Land is also worth looking at. And there is indeed one major similarity which I noticed that of trauma/despair. This aspect of trauma/despair is evident as both pieces have elements of trauma. In regards to Picasso’s piece which explores other deep and meaningful aspects which I shall address later in the essay the concept of trauma in the painting I found to be a rather deep concept. In light of the fact that both Picasso and Eliot’s pieces have this element of trauma it is a different trauma, the trauma in Picasso’s Les Demoiselles d’Avignon I found to more of a sexual even an untamed sort of theme. The fractured shapes and distorted images in the painting are in a sense primitive in an artistic way. The expressions on the faces and the shapes of the bodies demonstrate in great detail the use of fractured shapes and distortion which is what led me to focus on the themes behind this fracture and distortion. My

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