Juxtaposed to the negative imagery the overcramped housing evokes, the words ‘roses’ and ‘myrtle’ have connotations of beauty and innocence. This could relate to the wider meaning of the poem as, despite the patriot marching towards the gallows, he knows he is going to a better place, empty of corruption and evil. The use of pathetic fallacy represents the patriot’s despondent feelings. Furthermore, the rain could also be used to reduce the patriot’s dignity. However, the rain could also symbolise the patriot becoming innocent, similarly with the roses and myrtle, as the water could be considered to be washing the patriot’s sins away.
By the end of the poem he talks about how he loves her even though she may not be as beautiful as all the things he described. The main point that he is trying to make is that love doesn't have to be excessive, even with her imperfections, he still loves her. The poem starts off with him talking about his mistress' eyes. "My mistress' eyes are nothing like the sun." Instead of being like most poets, Shakespeare says that his mistress' eyes are not like the sun.
“My Mistress’ eyes are nothing like the sun” Essay In the poem “My mistress’ eyes are nothing like the sun” by William Shakespeare the author contradicts himself by saying horrible things about supposedly the love of his life. But at the end he says he loves her just the way she is. I think that this is an anti-love poem because he uses many negative words in almost every line of the poem. However, he contradicts himself saying that he loves her. For example in lines 7 & 8 “And in some perfumes is there more delight than in the breath that from my mistress reeks.” He is saying that perfumes smell very good but at the same time he is contradicting himself by saying that his mistress breath smells bad not like perfumes.
At first, Frost claims that nature’s first green is gold. In this matter he describes the first spring flowers, and how they do not exhibit the stereotypical color of green that one connects to nature and plants. He chooses to use the word “gold” here because it has a connotation of rarity and exquisite beauty, contrasting to the mundane green. He then follows this line by saying “her hardest hue to hold.” By this he clearly outlines the apparently struggle nature has to try and keep this miraculous beauty. He delves into a philosophical theme of retaining beauty that is impermanent.
He does not give descriptions of alluring scents or shiny hair, but instead describes putrid breath that “reeks” (8) and “black wires” (4) that grow in her hair’s place. Sonnet 130 certainly uses comparisons to nature, and though it seems that he is attempting to initially revolt his mistress instead of alluring her, the offending comparisons ultimately strengthen Shakespeare’s master plan. In order to emphasize the importance of the comparisons in the sonnet, Shakespeare uses circumlocution to elongate each sentence. Instead of a simple phrase that could clearly explain the color of her lips or the heaviness of her footsteps, each description is carefully compiled to allow them extra importance. Her lips are not just pale, but are pale in
I will prove this is true in the following paragraphs Shakespeare uses a large variety of metaphors and similes. A metaphor found in Sonnet 116,” Loves not Times fool, though rosy lips and cheeks” is a symbol of outer beauty that changes with time. Sonnet 138 shows a similar image, “When my love swears that she is made of truth, I do believe her, though I know she lies,” paints the picture of love in a similar way. Both the poems are depicting a love that has been through good and bad that have developed over time. For instance beauty fading with time and also trust fading.
Incidentally, he refers to Juliet’s life as “honey”, and that it was sucked from her breath. Therefore, it is not unnatural to assume that Juliet lived a good, friendly, and warm life. Love and death are a crucial part to the story as they provide a deeper meaning and understanding of it. Without images of light and dark as well as love and death, Shakespeare’s “Romeo and Juliet” would not have achieved the rightly deserved praise it has today. Consequently, the story would be dry and less lively, and some important connections and meanings could not be made.
Imagery is the true indicator of how the tone of a poem should really feel and often gives clues to how the reader should be reading it. January 1795 is an excellent way to showcase that rhythm and flow is not always the way to judge the meaning of a poem as this work has a darker feel within its imagery. We Are Seven is a fairly good contrast to January 1795 because even though the imagery is a little darker the tone ends on a much happier note. It can be argued that the tone of a poem can be judged through the way that they are put together; but this is not always the case and readers need to make sure that they are paying attention to the imagery that authors place in their poems to find the true tone of the work that they are reading. Without taking the two pieces and putting them together a reader will never be able to truly understand the authors meaning and views within a poem.
From differences in people’s views, behavior, mannerisms, language, and writing, it is apparent Faulkner is not a modern-day author. When reading modern literature today involving love stories we expect a happy ending, in which you turn the last page of the story and set your book down; joyful that the leading characters walked away hand in hand, and lived happily ever after. However, in the times of Emily Grierson love stories were more morbid than heart lifting. Love and death were viewed as both equally beautiful, and apart of each other. While reader’s today may view A Rose for Emily as a sad story about a sad and sadistic women.
On a deeper level, she wants to modernise the symbols we use for love. She also wants us to speak more honestly about love in relationships. A ‘Red rose’, a ‘satin heart’ and a ‘cute card’ are the usual lovers’ gifts on Valentine’s Day. Duffy is very harsh on these clichéd [well-worn] symbols of Valentine's Day. In the poem Duffy suggests these normal cards, red roses and kissograms lack any real meaning: ‘Not a red rose or a satin heart’, ‘Not a cute card or a kissogram’.