Irony In Tartuffe

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Julia Prest ELMIRE AND THE EROTICS OE THE MENAGE A TROIS IN MOLIÈRE'S TARTUFFE A t first sight, the character of Elmire in Molière's Tartuffe appears to have much to commend her, and modern critics and theatergoers generally warm to her: she is attractive, stylish, independent, smart, resourceful, in many ways a modern woman.' Even older, more patriarchally inclined critics have generally been slow to condemn her,^ yet I would like to argue that rather than being a female exemplar who helps resolve the Tartuffe situation as is often stated, her function within the play is in many ways a disruptive one; she is a catalyst to the disintegration of the Orgon household and in practice contributes little toward the resolution of a plot that teeters on the brink of a…show more content…
See de Sales 2 (87 and 139). EROTICS OE THE MÉNAGE À TROIS IN MOLIÈRE'S TARTUFFE 139 which it is, rhetorically speaking,^' and "surprenante," which it may or may not be. It is important to note that the basis expressed for her alleged surprise is that the declaration is made by "un Dévot comme vous" {965) and not that it is made to a married woman. She does not point out that she herself is married and as such unavailable. But, as Tartuffe explains, he is different from "tous ces Galants de Cour" (989) because he is discreet. He can offer her "de l'amour sans scandale, et du plaisir sans peur" (1000). Only now does Elmire mention her husband, but not explicitly in the context of adultery; rather, she asks Tartuffe if he is not afraid that she will tell Orgon, the suggestion being that he might risk losing his privileged position in Orgon's heart and home. Tartuffe replies that he is sure of her discretion, and, astonishingly, his confidence is well-placed. Of course this gives Elmire a degree of power over Tartuffe, but only at the expense of good dévot and even good mondain
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