It Is Medea's Malevolence More Than Jason's Self-Righteousness That Drives the Tragedy in the Play. Discuss.

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In Euripides' dismal play Medea, the great tragedy is driven by Medea's malevolence after Jason's self-righteous actions. Medea's impetuous passion quickly transforms her love for Jason to an intense and utter hatred, thus fuelling her malevolent and vindictive nature. It is this that primarily drives Medea to murder her children. Yet, it is only after Jason's selfish and self-righteous acts to leave Medea that this fuel is sparked. Had Jason not left Medea, or even more sympathetic to her position, such a tragedy may not have been initiated. There is a plausible notion, however, that Medea’s malevolence was induced by the Gods, and not that she herself is evil. Medea, "no ordinary woman", has an overly passionate temperament. She is utterly infatuated by Jason. The passion of Medea’s love is evident in her actions preluding the play, where she killed her own brother to help distance her enemies from Jason and herself. But, upon the adulterous actions of Jason, this powerful love is extinguished. A jilted lover, she becomes incredibly mournful, which “sweeps on violently”. She becomes malevolent, her “proud, impassioned soul so ungovernable now” after feeling the “sting of injustice”. Medea is infected by rage, which festers within her and ultimately consumes her. Her desire to spite Jason overrules all, which goads her towards an acrimonious denouement of her children’s lives, all this “to wound [Jason’s] heart”. It is her tremendous passion that incites her malevolence, which then overrules her motherly instincts, makes her an “artist in the unspeakable”, and hence drives the tragedy of the play. It would be, however, folly to forget Jason’s contribution to the calamitous conclusion of the play. For without it, Medea’s malevolence would never have been provoked. Jason’s “criminal behaviour”; his bigamy, making him “the foulest of traitors”. In spite of

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