Literary Devices In Othello

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Dramatic Devices In “Othello” Shakespeare’s “Othello” is a classic example of dramatic devices at work, and while so many devices were identifiable in the play, I am going to focus on two. First, Othello is a paradigm of a tragic character, with several traits presented in evidence of his catharsis, although I shall spotlight upon his hubris. The love shared between Othello and Desdemona is a rare and brilliant one, but ends wretchedly because of Othello’s unwillingness to act out of love instead of conceit. “Othello” is one of the most famous tragedies in all of literature, and with good reason; a few of which will be given here. As evidenced by other great tragedies, the main character, that the audience has come to feel a connection with, must experience a downfall, and lose all he has worked for in life. Certain character traits usually bring about this inevitable collapse, and certainly Othello’s most tragic character flaw was hubris, or his pride and arrogance in his (military) position. Desdemona and Othello have conquered conventional notions of love as they come from starkly different backgrounds, but were so enchanted with one another that they threw these differences aside. However, Othello’s feelings of pride and self-worth are a powerful emotional force than his adoration of Desdemona. He is so prideful that, rather than conduct a more intensive investigation or entertain thoughts of forgiveness, he chooses to kill Desdemona when Iago presents (false) evidence of her unfaithfulness. Certainly, it is tragedy at its finest when he discovers that he has killed the love of his life based on untrue allegations, and must face her death at hand with his own terrible arrogance, as well as the societal repercussions of his deed. Othello’s tragedy begins a foreshadowing of the events to come, when Iago woos Roderigo with the thought of
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