Pablo Picasso | Man with a Pipe 1911

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Artist as Analyst The Man with the Pipe has a vast of visual evidence to prove that it is an artist as a analyst painting. Pablo manipulated the composition of the painting by making it a jigsaw puzzle of numerous shapes put together to make the artwork whole. This process that Pablo uses in The Man with a Pipe is called Analytical Cubist. To understand this painting, you must look beyond the visual surface and you can discover the hidden pattern that Pablo created. This painting was first broken up in to pieces, then it was analyzed, and finally it was put back together in an abstract way. The Man with the Pipe is also portrayed in to a seemingly three-dimensional representation that can be easily identified. For this painting, Pablo’s style was by scores of small brush marks that were interlocking and overlapping like pieces of a jigsaw puzzle. A few pieces of the man can actually be seen, after seeing the white clay pipe in the top middle part, you can locate the man’s head with his shaded mustache. His eye and nose can be seen right above the mustache. At the bottom of the painting, there is a white piece of paper and after locating that; you would be able to see his hand. The Man with a Pipe represents the interior of a dimly lit, smoke-filled café. In July of 1911, Pablo left Paris and started to head towards Ceret in southwestern France. Once in Ceret, a man named Braque joined Picasso and the two of them pained works in intense dialogue. The style that Picasso used at those times was a style called “Analyst Cubist” and he was also inspired by African sculpture, fauvism, and other art forms. Objective Analysis: The most important principle of design that Picasso uses in The Man with a Pipe is a rhythm called visual rhythm, which is done by the repetition of the scores and brush marks. There is also a sense of balance that can be seen by the

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